ALBUM REVIEW | Sons Of The Void – Sons Of The Void.

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ARTIST: Sons Of the Void

RELEASE: Sons Of The Void

RELEASE DATE: 04/03/16

RECORDC COMPANY: Sunrise Ocean Bender 

Finding a true impressionistic collection of psychedelic tracks that are written in a traditionalist way, without computerised trickery or over hyphenated gadgets to control the music’s every move, in todays modern psych scene is a difficult thing to do. With so many different sub-genres attaching itself to the scene it sometimes becomes muggy, uninteresting and frankly bloody boring. So imagine my surprise when I opened up the debut self-titled album from Swiss based psych duo David Max and Nick Nobody aka ‘Sons Of The Void’ and was instantly blown away by its stunningly un-compromised collection of melodically sensible psychedelic treats that are stuck firmly within an experimental 60’s lo-fi swirl. Released via the incredibly trustworthy independent record label ‘Sunrise Ocean Bender’ on March 4th 2016 this stunning debut release will tip toe into your life, scoop you up and effectively bring you on an acid drenched rollercoaster ride of intense proportions.

 

The album opens up with the insanely experimental ‘Leichenblume’. The jittering opening sample track makes way for beautifully hypnotic guitar progressions that swirl like some invisible vortex around that melodic vocal line for what seems like an eternity until we’re led into the opening chord progressions of track two, ‘Don’t Forget To Pray’. It in turn, uses its soothing vocals coupled with those beautifully arranged guitar progressions to rock back and forth acting like some metaphorical sonic security blanket thats used to buffer against those tremulous and reverberating sonic frequencies that seem to loop and arc all over the musical ether. The vivid opening bars of ‘Kolliderscope’ swirl within that impressive spoken word vocal sample as it meanders on an explosive percussive pattern that leads us all into it’s soaring chorus progression and on into oblivion whilst the almost country tinged psychedelic sounds of ‘Absorption’ relaxes the senses and eases away the ill’s of a weary day by inviting you into its inner sanctum for a slice of sonic sustenance.

‘Hope I Don’t Miss’ swirls within a melodic late 60’s west coast vibe through its opening bars before crunching into sixth gear and deftly shifting up into a warm, fuzzy, hair standing on end wall of noise thats musically reminiscent of early ‘Spacemen 3’ as its vocal tracks just hang in suspended animation waiting to be explored. Golden edged sonic waves usher in the brilliant psych-pop tones of ‘The Things We Wish’ whilst ‘A Kick Like That’ has dub connotations mingling in amongst it’s swirling psych induced vocal takes and those expansive jangling guitar lines. ‘A Kick Like That’ is thoroughly enjoyable and possibly my favourite track on this entire release. The album closes with ‘Little Children’, an infectious track stuffed to the brim with impressively melodic vocal lines streaked with beautiful guitar flourishes that are collectively embossed deep within 60’s psychedelia.

There is a beautiful calmness surrounding every track on this release that’s intensely melancholic, brilliantly overpowering and deeply infectious. ‘Sons Of The Void’ expertly push the experimental sonic envelope but somehow manage to stay within the realms of the psych purist. If you have to listen to one album today, it should be this!

Recommended listening!

5/5

LINKS:

sonsofthevoid.com

facebook.com/Sons-Of-The-Void-132778243406125/

ABOUT THE AUTHOR:

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Del Chaney

Del Chaney has spent the last three years not only fronting popular Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, DreamPop, PostPunk, PostRock & PsychRock genre’s of music from all over the globe & reviewing them for this blog – The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm – Primal Radio – has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.

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