ALBUM REVIEW | The Cult Of Dom Keller – Goodbye To The Light.


ARTIST: The Cult Of Dom Keller

RELEASE: Goodbye To The Light

RELEASE DATE: 22/07/16

RECORD COMPANY: Fuzz Club Records

UK based noisy experimental psych aficionados ‘The Cult Of Dom Keller’ have been creating impressive musical soundscapes under the radar for quite some time. Their sound glides on a screaming swathe of intense psychedelic promise thats underpinned vocally with an interesting slice of goth fuelled expressionism! This band inject a shimmering cinematic quality into their music that can seriously alter reality! Now the Midlands based four piece have announced the next chapter in their musical development, the full length ‘Goodbye To The Light’, penned in for release on 22nd July 2016 via the brilliant London based Fuzz Club Records.  The album will be released on vinyl as a deluxe edition of 300 half-and-half transparent and solid white vinyl in a heavy gatefold sleeve featuring hand numbering, cutouts, embossing and printed inner sleeves. Also as a standard edition of 1000 transparent white vinyl, and CDs.

You can pre-order the album right now at


Like the opening atmospheric score of a 1970’s cinematic thriller, we’re introduced to a sprawling drone coupled with a repetitious two note sequenced synth pattern that swirls within a sea of enveloping golden frequencies. The opening salvo’s of ‘Hole In The Whole’ punch a reverberating pulse through the protective shield of the surrounding musical ether and immediately gets engulfed by creeping vocal lines and a dark malicious guitar squall. Up next, impressionistic fuzzy bass frequencies tickle the outer reaches of the audible range as those distinctly 80’s, almost post-punk sounding vocal progressions, coupled with hypnotic swirling organ swells take hold and drag you kicking and screaming through the blistering prog-leaning ‘Broken Arm Of God’ before the massive sonic surge of ‘Ravens & Rockets’ clatters into earshot and ploughs a dark and foreboding sonic furrow through proceedings.

‘Deepest Pit Of Emptiness’ enters the arena on massive ambient synth swells before we’re hit with enormous resonating bass frequencies shadowing slow malicious vocal lines as it crawls to its dark finality. ‘Tunnel In The Clouds’ floats impressively on a bed of atmospheric organ swells as haunting vocal lines as an increasingly intrusive monotonous drone pulses through layers of reverb before ‘Exterminating Angels’ enters the fray and brings with it a massive swathe of intensity that builds from the off into a maelstrom of beautiful frequential noise. Up next, ‘I Can See You’ pulses and shakes as it winds itself up into a rattling coil and prepares to strike. Thoroughly reminiscent of early experimental stage ‘Nine Inch Nails’ with its brilliant vocal production and those impressively overpowering synth lines. ‘Astrum Argenteum’ brings a blissful layered wall of psychedelic joy to proceedings before the deeply experimental but highly infectious ‘Nothing Left To Say’ cranks up and enters the realm of 70’s psychedelic Sci-Fi chic!

‘Bring Out The Dead’ begins with sequenced poly-rhythmic acoustic progressions coupled with a tempestuous percussive assault and an utterly addictive vocal. It undulates as it works through its gears, constantly evolving and layering instrumentation as it meanders through sonic peaks and troughs. There’s a short instrumental interlude as ‘Waltz Of The Morgellons’, the albums penultimate track, works the floor before we’re introduced to the albums final track, the aptly named ‘Shambhala Is On Fire’. This is a sprawling monolithic animal, jam packed full of reverb induced groove-laden instrumentation that circumnavigates yet another awe inspiring hypnotic and well executed vocal. A stunning finale to a very impressive album.





Del Chaney has spent the last four years not only fronting popular Irish Electronic duo Analogue Wave but also dedicating his time to uncovering the best artists in the Unsigned or Small Independent Label based Shoegaze, DreamPop, PostPunk, PostRock & PsychRock genre’s of music from all over the globe & reviewing them for this blog – The Primal Music Blog. He is also a contributing writer for The Sound Of Confusion. His other arm – Primal Radio – has gained considerable respect from bands and promoters alike since its conception in 2013 & has hepled him in actively promoting a genre of music that he is passionate about. Hailing from Dublin, Ireland, he is a keen Vinyl Collector, Tattoo Fan & all round good guy! He is a self confessed music freak & is never far away from a studio console or a turntable.

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